Robert Greenberg

From its humble beginnings in the 17th-century Italian opera overture and the Baroque ripieno concerto, the symphony has evolved into one of the longest lived, and perhaps the most expressively inclusive, genres of instrumental music. Along the way, it has embraced nearly every trend to be found in Western concert music. In this series of twenty-four 45-minute lectures, Professor Greenberg guides you on a survey of the symphony. You'll listen to selections...

Even from the perspective of time, it is nearly impossible to grasp the full contribution made to music by Wolfgang Amadeus Mozart in his brief and glorious life. He composed his first symphony at the age of 8 and reached full artistic maturity by the time he was only 20. And when he died at the age of 35, he left a legacy of more than 600 works of brilliance - symphonies, chamber music, operas, and more - most composed during an incredibly productive...

To watch any opera lover listen to a favorite work, eyes clenched tight in concentration and passion, often betraying a tear, is to be almost envious. What must it be like, you might think, to love a piece of music so much? And now one of music's most gifted teachers is offering you the opportunity to answer that very question, in a spellbinding series of 32 lectures that will introduce you to the transcendentally beautiful performing art that has...

When Wolfgang Amadeus Mozart died in 1791 at the age of just 35, he nonetheless left behind the defining composition in every available musical genre of his time: symphony, chamber music, masses, and above all - opera. Opera was the prestige genre of the era, and the thought of it, Mozart wrote, made him "beside myself at once." It was a form he loved dearly, depending on it heavily for personal, professional, artistic, and financial reasons of the...

Music historian Robert Greenberg reveals the true inspiration for Beethoven's symphonies over a glass of mystery wine. William and Robert discuss how time and experience gradually lead to a greater appreciation for, and understanding of, classical music.

The 20th century was a hotbed of musical exploration, innovation, and transformation unlike any other epoch in history. Ranging across the century in its entirety, these 24 lectures present a musical cornucopia of astounding dimensions-a major presentation and exploration of the incredible brilliance and diversity of musical art across a turbulent century. Using a chronological approach, you'll explore the fascinating gamut of 20th-century musical...

In his 16 quartets for two violins, viola, and cello, Beethoven created a Mount Everest for string players and some of the most sublime, unforgettable music ever written. In this musically rich 24-lecture series, Professor Greenberg guides you in a deep encounter with these majestic works of art, offering you the rare opportunity to grasp the musical riches and spiritual greatness of the quartets in a clear and accessible way. You'll uncover the musical...

The concerto offers a kind of unique excitement no other instrumental music can match. Where a symphony enthralls us with its thematic variations and development, a concerto gives us human drama - the exhilaration of a soloist or group of soloists ringing forth against the mass of the orchestra. In 24 musically rich lectures, Professor Greenberg provides a guided tour of the concerto, from its conception as a child of Renaissance ideals, through its...

Spanning the length of his compositional career, Beethoven's 32 piano sonatas provide a window into his personal musical development and show the piano sonata as a genre undergoing an extraordinary evolution. In these 24 lectures, discover how Beethoven broke all the rules to achieve a new and powerful effect with his piano sonatas. You'll explore in detail sonatas including Pathétique (Piano Sonata no. 8 in C Minor, op. 13), which led a contemporary...

Have you ever thought about the creative process that boiled inside geniuses like Mozart, Beethoven, Dvorák, Strauss, Brahms, Mendelssohn, or Liszt, or any composer, for that matter? What goes through a composer's mind when a musical composition is being set to paper? Are those magical weeks or months spent in an agonizing creative blur of ideas first tried and then discarded, or is it a matter of pure inspiration? Does the composer hear the music...