The Cement Garden
(eBook)

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Published
RosettaBooks, 2011.
Format
eBook
ISBN
9780795302596
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Ian McEwan., & Ian McEwan|AUTHOR. (2011). The Cement Garden . RosettaBooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ian McEwan and Ian McEwan|AUTHOR. 2011. The Cement Garden. RosettaBooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ian McEwan and Ian McEwan|AUTHOR. The Cement Garden RosettaBooks, 2011.

MLA Citation, 9th Edition (style guide)

Ian McEwan, and Ian McEwan|AUTHOR. The Cement Garden RosettaBooks, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDcb690173-2489-60c5-d0b3-8fc8bd999124-eng
Full titlecement garden
Authormcewan ian
Grouping Categorybook
Last Update2024-01-17 15:54:14PM
Last Indexed2024-03-28 05:26:29AM

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First LoadedSep 26, 2023
Last UsedMar 26, 2024

Hoopla Extract Information

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    [synopsis] => Ian McEwan is known to skirt the edge with his writing; the fringes of society, to test the limits of what we can handle perhaps in our worlds as we bring his writing home with us and allow a whole new being to enter. So it is with The Cement Garden, the story of dying family who live in a dying part of the city. The father of four children decides, in an effort to make his garden easier to control, to pave it over. In the process, he has a heart attack and dies, leaving the cement garden unfinished and the children to the care of their mother. Soon after, the mother too dies and the children, fearful of being separated by social services, decide to cover up their parents' deaths: they bury their mother in the cement garden. ll of the children are free thinking independent-minded teenagers. The story is told from the point of view of Jack, one of the sons, the narrator who is entering adolescence with all of its curiosity and appetites that he must contend with (along with the sure confusion of what the children have done). Julie, the eldest, is almost a grown woman. Sue is rather bookish and observes all that goes on around her. And Tom is the youngest and the baby of the lot. The children seem to manage in this perverse setting rather well until Julie brings home a boyfriend who threatens their secret by asking too many questions (like what is buried beneath the cement pile, etc), surely threatening the status quo (however morbid) that the children have come to accept as _x201C_normal_x201D_ and as _x201C_home_x201D_. We understand through McEwan that home is not to be defined by anyone else but it is, instead, what you know and have known that makes you feel safe, even if it is rather dangerous and macabre.
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