Diary of a lost girl represents the second and final work of one of the cinema's most compelling collaborations: G. W. Pabst and Louise Brooks. Diary confirmed Pabst's artistry as one of the great directors of the silent period and established Brooks as an "actress of brilliance, a luminescent personality and a beauty unparalleled in screen history." (Kevin Brownlow, The parade's gone by).

Charles Chaplin came to Mack Sennett's Keystone Studios late in 1913 as a little-known British vaudevillian, and after a year, had not only established his Tramp character, learned to write and direct his own films, and also achieved public recognition as a star comedian. Although Keystone did not publicize its performers by name, standees of Chaplin's likeness outside theatres sufficed to attract audiences. Some of the films, especially Tillie's...

Charles Chaplin came to Mack Sennett's Keystone Studios late in 1913 as a little-known British vaudevillian, and after a year, had not only established his Tramp character, learned to write and direct his own films, and also achieved public recognition as a star comedian. Although Keystone did not publicize its performers by name, standees of Chaplin's likeness outside theatres sufficed to attract audiences. Some of the films, especially Tillie's...

This double set presents the silent spectacle that took the art of filmmaking to new heights, interweaving four thematically united stories of inhumanity throughout history.

Georges Méliès : First wizard of cinema Volume 2. Georges Méliès built the world's first movie studio in 1896 near Paris; from it cascaded fantastic magic films, dream films, historical reconstructions, imaginary journeys, melodramas, slapstick comedies -- even erotic films. A genuine virtuoso, Méliès produced and directed his films while also devising the narratives; designing the sets, costumes and props; and frequently performing the leading...

Georges Méliès : first wizard of cinema Volume five. Georges Méliès built the world's first movie studio in 1896 near Paris; from it cascaded fantastic magic films, dream films, historical reconstructions, imaginary journeys, melodramas, slapstick comedies -- even erotic films. A genuine virtuoso, Méliès produced and directed his films while also devising the narratives; designing the sets, costumes and props; and frequently performing the leading...

Georges Méliès built the world's first movie studio in 1896 near Paris; from it cascaded fantastic magic films, dream films, historical reconstructions, imaginary journeys, melodramas, slapstick comedies -- even erotic films. A genuine virtuoso, Méliès produced and directed his films while also devising the narratives; designing the sets, costumes and props; and frequently performing the leading parts. Arranged in chronological order, this comprehensive...

In 1927, Eisenstein and Pudovkin were both assigned to make films commemorating the 10th Anniversary of the 1917 Revolution. The results, October and The end of St. Petersburg, are two of the unforgettable masterpieces of epic filmmaking. Pudovkin's film, the more intensely dramatic and personal of the two, opens on a farm where a peasant must stay in the field and plow as his wife dies in childbirth. Trudging to the city to seek work, he is forced...

A society woman falls victim to a Burmese ivory trader (Sessue Hayakawa) who intends to brand her for his own. A visually powerful today as when it was made.

By the year 1919, Harry Houdini was known throughout the world as a master magician and escape artist. Having conquered the stage, he set out to rule the screen, appearing in a series of thrillers built upon his almost supernatural powers. Culled from film archives and private collections, this film includes all of Houdini's surviving films as an actor, rare footage of actual handcuff and straitjacket escapes, and a wealth of historical information....